Ape Personal project, wanted to learn some Xgen and Arnold better. As usual it took a lot longer then I anticipated but it was a lot of fun and learned loads! Xgen for hair, rendered in Arnold. Skin is almost entirely procedural in Arnold, alot of noise nodes blended with some masks. Hair is melanin based with some masks and simple color textures. The sculpt isnt really anything special, wanted to focus on something other then regular old modeling for a while. Want to thank Darko Pracic ( ) for some really invaluable feedback, from day one he has really pushed me and gave some really awesome comments all along the way.

3DS MAX 6 IS THE latest iteration of Discreet's popular 3D modeling, rendering, and visualization application. Examination of the details reveals the depth of this release. Features for All Along with many under-the-hood developments in 3ds max 6, there are features certain to please almost everyone. Discreet's 3ds max is a very popular and robust 3D animation and rendering package. Version 6 of the software provides a number of excellent updates to existing features and adds some new features, such as a robust particle system and mental ray rendering.

And thanks to Robert Berg ( and my girlfriend for pushing and inspiring me! Creepy Priest v0.3 Finally!

My first character for the render, which I did on the course at Valentin Erbuke. I want to thank Val for his great help and wonderful course! Rendered in Arnold. Hairs in XGen.

Also, I used new multi-channel maps from Texturing XYZ which worked perfectly for me. I did this work for 3 months in my free time after work. Maybe later I will finish it in full growth. The inspiration for me was the work of Lucas Lefer and the game Bloodborne https://www.artstation.com/valentinerbuke.

Optical beta font download. It got the thumbs up. Although it was all over the place, it was a great way to see how things might look slimmed down to the extreme with low effort. I followed up very quickly with an extrapolated, auto generated, thin weight. These were comments by designers — type users — and not type designers which made it all the more relevant. If a designer sees how they could use a specific weight of a font, sees something that they like in a regular weight but can visualise a thinner one working very well for something, it’s worth listening.

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