Do Guy Ritchie and Sherlock Holmes fit? Why, it's elementary my dear movie fan. This is one of the most entertaining thrillers of the year and the fantastic Downey Jr. And Law are a big part of the reason why. They take top honors as the years best bro-mance, arguing like an old married couple while deep down knowing that they'd be lost without each other. Downey is Holmes and Law is sidekick Dr. Watson, embroiled in a plot where the black-magic-practicing Lord Blackwood (a perfectly grave and menacing Mark Strong) has risen from the dead after being sentenced to hang.

Rachel McAdams also shows up as Irene Adler, the only criminal who has ever gotten the best of Holmes. On the way to success karnevskaya reshebnik. Brings quick-wit, cunning, and a scruffy toughness to a role long seen as stuffy and dry, while Law a distinguished charm that, at times, spills over into testy aggressiveness (which is funniest at Holmes most annoying).

Both toss off the one-liners with ease. Ritchie's directorial style also comes through, from the dark, grimy Victorian- London production values to the violent boxing and martial arts matches. Holmes' mindset (such as the steps he takes to neutralize a suspect, interpret clues, follow the deceptive) also brings out Ritchie's ability to create an ultra-stylized flashback.

There are also a few really thrilling action set-pieces involving a boat and an unfinished bridge. The plot, by three screenwriters, is a little on the convoluted side but it gets the job done with plot-twist on-top of plot twist. With all the brutal violence and style, you can be sure this isn't your Grandpa's Sherlock Holmes, but it will have you drooling for a sequel nonetheless. Greetings again from the darkness. Great literature seldom makes for great cinema. The mediums are vastly different. However great literature, in the right hands, can make for very entertaining cinema.

Such is the case with Guy Ritchie's interpretation of Sir Arthur Conan Doyle's greatest character. Ritchie provides us with quite a departure from the Basil Rathbone and Nigel Bruce 'Holmes and Watson'. Here we get dazzling special effects and near super-human feats and stunts. Another twist is that this Holmes here is no meticulous, fastidious bore in real life. In fact, he lives more like a frat boy or rock star - replete with trashed room and bouts of isolation. What is not missing is Holmes' world class attention to detail.

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The story here is multi-layered and actually very interesting, if not a bit high-minded and high-concept. The still-under-construction Tower Bridge plays a role in the film and the bleakness and gray of London is captured perfectly.